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铭文新展「时间戳Timestamp」

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《时间戳》 Timestamp

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前言：

文/顾振清，策展人

艺术家创造性的工作总是在艺术史线索中留下实实在在的物理时间的印迹，如同加密艺术作品在网上以区块链数字签名技术铸造的时间戳。 时间戳是一串数字字符或编码信息，记录了一份数据铸造上链的日期和时间。它是标注并验证区块链上某一事件发生的特定时刻的唯一标识。在计算机早期程序应用中，时间戳通常用于跟踪数据创建、修改或访问的时间。在互联网时代，时间戳成为数字虚拟世界的一种底层架构。它是脱域的、始终在线的。它也是相对的，有别于物理世界中可以向过去与未来无限伸展的绝对的时间概念。时间戳也是区块链去中心化帐本的一种基本属性。在基于区块链数据库运行的web3.0社会中，时间戳是用户创建数字足迹并确定事件发生顺序的一种至关重要的信息技术。创客、内容创作者、加密艺术家尤其重视时间戳。时间戳在他们在线分享技术与内容、交流思想与数码物的同时，可以用于确认并保障自己作为原创者的知识产权。

艺术推崇原创性。 艺术史总是揭示并铭记各种艺术范本范式从发生到发扬光大的时间排序，以此彰显艺术家的创新精神。艺术总是要求艺术家说前人没说过的话，并寻找一种新的说话方法，说好前人没说过的话。归根结底，艺术其实就是艺术家对于表述法的一种永无止境的自我探究与自主创新。

艺术史上，范式转移的时间轴和知识谱系表明了一种不断刷新的知识生产逻辑。艺术家总是在创造艺术表述法的新形式、新方法，而不是一味因袭、沿用、维持某种既有的基于视网膜体验的语言和媒介，更不是埋首、自缚乃至桎梏于各种现成形式与方法。艺术是艺术家通过一种材料、方式和空间来呈现的。艺术也是艺术家凭借发现、创造一种新的材料、方式和空间来发展、推演的。艺术家原创的想法与劳作能否生效？能否落实、转化为一种真正的创造性工作？关键仍在于最终能否找到一种材料、方式、空间作为独特的个人表述法，来应对、匹配、转译那些前人没说的话。

其实，过去艺术大师所有用过的范本范式乃至所有标志性语汇都不能直接拿来、直接挪用。 艺术总是要求有人去说前人没说过的话，才让一代代艺术家有了范式转移、表述法创新的自我意识，有了在文化基因传承源流中不断追求变革、颠覆、破茧、脱颖而出的机缘。马塞尔·杜尚挪用现成品材料作为一种艺术的表述法。雪莉·莱文（Sherrie Levine）则将过去大师的范本范式挪用为现成品材料，形成自己独特的个人表述法，赋予范本范式一种全新的意义。那么，后人还想在拿来主义的表述法上作创新，则须跳脱所有前人用过的挪用套路。

时间戳是加密艺术的固有属性之一。 区块链上的时间戳因用户使用及交互操作而产生。每个区块链系统各有各的数字原生的内稟时间线。它既有创世区块的时间戳，又预设了最后打包区块的时间戳。区块链支持小于毫秒级别的时间戳。区块链上所有的时间戳都是永久存在的、 完整的、 可验证的数据。用户应用适当的函数，各自程序语言的时间戳数字编码都可以转换为人类可读的日期时间格式。比如利用UNIX时间戳在线转换工具，用户可以将UTC世界协调时间（Coordinated Universal Time）/GMT格林威治标准时间1970年01月01日00时00分00秒到现在的总秒数，与世界上各时区的当地时间进行互换。

围绕着物理世界的时间轴，不同区块链的时间戳秩序呈现为一种特别的关联性。它们各自梳理着与实体世界平行的各种虚拟的时间线顺序。然而，跨链桥的互操作性却能让不同的区块链彼此链接，让多条区块链的不同代码语言、设计模型、代币机制、治理架构、文化形态发生交互。 跨链桥建构的是多链生态的元宇宙与去中心化的web3.0世界。加密艺术家有生之年在线铸造的一件件作品，就是为作品在艺术史数据库中加盖一枚枚专属时间戳。由此，艺术家的知识产权不仅得以确权、保护，其数字IP还可以挖掘价值、捕获价值。元宇宙虚实相融，web3.0世界虚实相生。艺术家的时间戳所串联的一切表象，就是投影在全息宇宙的一部部生动的艺术史。

Preface:

By Zhenqing Gu, curator

The work of creative artists has always left a tangible imprint of physical time in the threads of art history, like timestamps of crypto artworks minted online with blockchain digital signature technology. A timestamp is a string of digital characters or encoded information. It records the date and time when a piece of data was minted on the blockchain. It is a unique identifier that labels and verifies a specific moment in time when an event occurred on the blockchain. In early computer programming applications, timestamps were commonly used to track when data was created, modified, or accessed. In the age of the Internet, timestamping has become an underlying structure of the digital virtual world. It is disembedding and always online. It is also relative, as opposed to the absolute concept of time in the physical world that can stretch indefinitely into the past and future. Timestamping is also a fundamental features of blockchain decentralized ledger. In a web 3.0 society running on blockchain databases, timestamps are also a crucial piece of information technology for users to create digital footprints and determine the sequence of events. Makrrs, content creators, and crypto artists especially value timestamps. Timestamps can be used to confirm and secure their intellectual property rights as initiator while they share technology and content, exchange ideas and digital objects online.

Art honours originality. Art history always reveals and remembers the chronological sequence of the various artistic paradigms from their inception to their development, as a way of highlighting the innovative spirit of the artist. Art always requires the artist to say something that has not been said before, and to find a new way of speaking to make good what has not been said before. In the final analysis, art is in fact an endless self-inquiry and autonomous innovation of the artist's method of expression.

In art history, the timeline and knowledge spectrum of the paradigm shift suggests a constantly refreshing logic of knowledge production. Artists are always creating new forms and methods of artistic expression, rather than inheriting, following, or maintaining a certain established language and medium based on retinal experience, or even more so, burying themselves in, tying themselves to, or even shackling themselves to, a variety of ready-made forms and methods. Art is presented by the artist through a material, method and space. Art is also developed and evolved by the artist through the discovery and creation of a new material, method and space. Can the artist's original ideas and labor be validated? Can they be realized and transformed into truly creative works? The key also lies in the ability to find a material, method or space as a unique personal expression that responds, matches and transforms what has not been expressed before.

In fact, all the paradigms and even all the iconic phrases used by art masters in the past cannot be directly used or appropriated. Art always requires someone to say what no one has said before, which gives generations of artists the self-consciousness to shift paradigms and innovate expressions, as well as the opportunity to constantly pursue change, subversion, breaking the cocoon, and standing out in the stream of memes inheritance. Marcel Duchamp appropriated ready-made materials as an artistic expression. Sherrie Levine, on the other hand, appropriated the paradigms of past masters as ready-made materials to form her own unique personal method of expression, giving paradigms a whole new meaning. If, then, future generations wish to innovate in the formulation of the appropriationist trend, they must break away from all the appropriation routines used by their predecessors.

Timestamping is one of the inherent features of crypto art. Timestamps on the blockchain are generated as a result of user usage and interactions. Each blockchain system has its own digitally native timeline of origins. It has both a timestamp for the genesis block and a pre-determined timestamp for the final packed block. Blockchain supports timestamps at the level of less than milliseconds. All timestamps on the blockchain are permanent, complete and verifiable data. By applying appropriate functions, the timestamp numeric codes of the respective programming languages can be converted to human-readable datetime formats. For example, using the UNIX timestamp conversion tool online, users can swap the total number of seconds from 00:00:00 UTC/GMT on 01 January 1970 to the present with the local time in the world's time zones.

Around the timeline of the physical world, the sequence of timestamps of different blockchains shows a particular correlation. They each sort out various virtual timeline orders parallel to the physical world. However, the interoperability of cross chain bridges enables different blockchains to link with each other, allowing different code languages, design models, token mechanisms, governance mechanisms, and cultural forms on multiple blockchains to interact. Cross chain Bridges construct the metaverse of multi-chain ecologies and the decentralized web 3.0 world. Encrypting a piece of work cast online during the artist's lifetime is to stamp the work with an exclusive timestamp in the art history database. As a result, the artist's intellectual property can not only be authenticated and protected, but its digital IP can also be mined and captured for value. The metaverse is the fusion of the virtual and the real, and the web 3.0 world is the mutual realization of the virtual and the real. All the representations linked by the timestamps of the artists' works are a vivid art history projected in the holographic universe.

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《时间戳》

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参展艺术家：

陈镪、陈阳昕、陈子健、成林、笪秋焱、焦洋、 胡婧璇、李杭、李妍洁、林苒、刘佳钰、罗灿、Metarter、邱宇、任若溪、孙宇、田地、肖维、王宏为、王雨萱、王展、许仲敏、薛雷、袁隆、岳艳娜、张海超、张一帆、赵小锋、ZOOJOO、郑宏昌、周罡、朱自杰

策展人：顾振清

展览执行：

朱自杰、某延、马志

海报设计：刘星辰

**展期：**2024年12月25日至2025年3月24日

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展览地址：Bitower

** _https://www.voxels.com/parcels/1440_**

主办发行平台：Bidder.art

** _https://bidder.art/_**

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Timestamp

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Artists:

Qiang Chen, Yangxin Chen, Chen Zijian, Cheng Lin, DaDa, Hu Jingxuan, Jiao Yang, Li Hang, Loxel Li, Lin Ran, Joey Liu, Echo Can Luo, Metarter, Qiu Yu, Ren Ruoxi, Sun Yu, Di Tian, Galaxia Wang, Dolores Wang, Wang Zhan, YoYo Xiao, Xu Zhongmin, Lei Xue, Alex Long Yuan, Yue Yanna, Zhang Haichao, Zhang Yifan, Xiaofeng Zhao, Zheng Hongchang, Zhou Gang, ZOOJOO, Grass

Curator: Zhenqing Gu

Executive Curators:

Grass, LEDYan, Erli Ma

Visual Design: Liu Xingchen

Dates: Dec. 25, 2024 to Mar. 24, 2025

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Exhibition Website: Bitower

https://www.voxels.com/parcels/1440

Hosting Platform:Bidder.art

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